Difference between revisions of "911:Occult symbolism XVII"

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=Symbolism in Movies=
=Symbolism in Movies=
* video: [http://www.youtube.com/watch?v=ABTvmsy33kw&feature=PlayList&p=232170F714D3E406&playnext=1&playnext_from=PL&index=27 Hollywood – Illuminati Show]
** Recurring Themes:
*** [[911:Occult_symbolism_II#Sun|Sun symbolism]]
*** [[911:Occult_symbolism_III#5-pointed_star|Pentagram]]
*** [[911:Occult_symbolism#Pyramid|Pyramid symbolism]]
*** [[911:Occult_symbolism_XVI#As_above.2C_so_below_sign|"As above, so below" symbolism]]
*** [[911:Numerology#911|911]]
*** [[911:Numerology#666|666]]
*** "Lady in Red" (See also: [[911:Bible_prophecy#Whore_of_Babylon_.28MYSTERY.2C_BABYLON_THE_GREAT.29|Bible prophecy: Whore of Babylon]] and [[911:Occult_symbolism_VIII#Red|Occult symbolism: Red]])
* Masonic/Occult symbols
* [http://nwointelreport.blogspot.com/ Gnostic-Luciferian Films]
** [http://freemasonry.bcy.ca/fiction/cinema.html List of movies with masonic references]
*** "Flash Gordon" [http://www.geocities.com/jussaymoe/movies/movies.htm 1][http://www.geocities.com/jussaymoe/movies/movies4.htm 2][http://www.geocities.com/jussaymoe/movies/movies3.htm 3][http://www.youtube.com/watch?v=GA6FLe82TNI&feature=related 4]
*** "Any Given Sunday" [http://www.geocities.com/jussaymoe/movies/movies2.htm 1]
*** "Mad Max: Thunderdome" [http://www.geocities.com/jussaymoe/movies/movies5.htm 1]
*** "The Man Who Would Be King" [http://www.youtube.com/watch?v=NhOnwKDCFBU 1]
*** "Equilibrium" [http://1phil4everyill.wordpress.com/2008/08/27/equilibrium-2003/ 1]
*** "Transformers 2" [http://vigilantcitizen.com/?p=1564 1]
*** "Blast from the past" [http://www.youtube.com/watch?v=puP7lYSMTo8 1]
*** video: [http://www.youtube.com/view_play_list?p=05E66C1AF001EDBE&playnext=1&playnext_from=PL "Hollywood Insiders: Fallen Angels"] What do "The Man Who Would Be King" (Rudyard Kipling), Stargate, Star Wars, The Matrix, Dogma, the Simpsons, & Harry Potter have in common? Everything! It is the messiah story the story of the Masonic Christ.
*** [http://freemasonry.bcy.ca/fiction/cinema.html More movie references]

Revision as of 20:02, 16 April 2010

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Intro

Synchronicities

911

  • 9/11 Numerics
    • The study of numbers (numerics or numerology) is pivotal to organized religions, including Christianity, Judaism and Islam. Number patterns and symbols permeate the Christian Bible, for instance, the numbers 3, 7, 12, 40, 666, 1260 and 2520 all have symbolic meaning. It wouldn’t be surprising then if certain numbers held special import to various secret societies. In fact the allusion to both permeates Hollywood films like End of Days (1999), Eyes Wide Shut (1999), The Matrix (1999), National Treasure (2004), Ocean’s 11 (2001), Thirteen Days (2000) and The Thirteenth Floor (1999) (Grand Lodge of British Columbia & Yukon 28 January 2005).
    • So do the numbers 9 and 11 have any significance? According to the nineteenth century Anglican cleric, EW Bullinger, the number nine (9) symbolizes divine judgment or finality while the number eleven (11) symbolizes disorder, disorganization, imperfection and disintegration (Bullinger 1967 pp. 235, 242, 251). Whether these numbers have other occultic meanings to clandestine societies is unknown to the author, but knowledge continues to grow in this field (Howard 7 December 2001).
    • Comparing 9/11 to another subsequent terrorist attack shows how crucial it is that we understand these numbers and their relation to the masterminds behind these global shifting events. On March 11, 2004 191 people lost their lives in the Madrid Train Bombings. Known simply as 3/11 it was widely described in the news media as ‘Europe’s 9/11′ (Chance 11 March 2005). Not so widely known, however, was that this terrorist attack occurred 911 days after 9/11 (Shannon 12 March 2004). The recurrent numbers of 9-1-1 are all too familiar, but whose calling cards are they?
    • The numbers even have historical significance to the people of Israel. Jews annually fast on Tisha B’Av, the 9th day of the 11th month on the Hebrew calendar, in commemoration of national disasters that have befallen them throughout history, including the destruction of the First Temple by the Babylonians in 586-587 BCE; the destruction of the Second Temple by the Romans in 70 CE; the Roman defeat of the army of Simon Bar Kochba in 135 CE; the expulsion of Jews from England by King Edward I on 18 July 1290; the expulsion of Jews from Spain by King Ferdinand and Isabella on 2 August 1492; and the declaration of World War I in 1914. It begs the question what other 9/11s are yet to come?

  • Film: Gremlins (1984)

    Time: 01:08:58

    Scene: Zach Galligan gets into his Volkswagen Beetle with Gizmo and successfully starts the engine. He turns the radio on and the red indicator is sitting between 9 and 11.

  • Film: Independence Day (1996)

    Time: 00:45:33 (Special Edition) 00:41:22 (Theatrical Version)

    Scene: As Air Force 1 evacuates the President and his family, Jeff Goldblum sets a laptop up to watch the countdown. When the camera cuts to a close-up one of the ticks is 9:11:01.

  • Film: The Peacemaker (1997)

    Time: 01:28:42

    Scene: George Clooney and Nicole Kidman are in pursuit of a Yugoslavian terrorist who disembarks at New York’s JFK Airport. Stepping off the escalator Clooney anxiously looks around and behind him are desks 9 and 11.

  • Film: Enemy of the State (1998)

    Time: 01:28:06

    Scene:Gene Hackman takes Will Smith to his compound from where they locate Jon Voight’s personal details on the computer. Gene Hackman states, ‘Reynolds, Thomas Brian. Born 9-11-40‘.

  • Film: Rugrats in Paris (2000)

    Time: 00:02:22

    Scene: Struggling to dance at a wedding ceremony Chuckie’s shoelaces get tangled. He counts along with the beat, ‘Nine, eleven, twenty…’

  • Film: Traffic (2000)

    Time: 00:02:17

    Scene: In the opening sequence a drug van is pulled over and seized. When the boxes of drugs are removed 911 is written on each of them.

  • Film: The Patriot (2000)

    Time: (1) 00:03:25 (2) 00:03:59-0:4:33

    Scene: (1) Mel Gibson weighs a chair he has made. He says ‘Nine pounds, eleven ounces. That’s perfect. Perfect’. (2) Taking it down he sits on it, but it collapses under his weight. Upset he throws it against a wall where other chairs he has made lie in pieces.

  • Computer Screen in Beverly Hills Cop II (1987)

  • Dialogue in A Time to Kill (1996)

  • Film: Face/Off (1997)

    Time: 00:54:13

    Scene: Terrorist Castor Troy (Nicholas Cage) assumes the identity of FBI agent Sean Archer (John Travolta). Arriving home he digs around to discover Eve Archer’s (Joan Allen) diary in a drawer. He randomly turns to an entry dated September 11, 1997 with her thoughts about the vanity of life. She writes: ‘There are no absolutes for something so relative as a human life. What an absurd amount of energy I have been wasting all my life trying to figure out how things really “are” when all…’

  • Film: Awakenings (1990)

    Scene: Dr. Malcom Sayer (Robin Williams) and Eleanor Costello (Julie Kavner) discuss patients’ status.

  • Film: Pearl Harbour (1999)

    Time: 00:12:20

    Scene: During the medical examination Kate Beckinsale asks Ben Affleck to read the bottom three lines and we see 911 vertically.

  • Film: Terminator 2: Judgment Day (1991)

    Time: 00:36:14

    Scene: The Terminator (Arnold Schwarzenegger) and John Conner (Edward Furlong) are being pursued by the T1000 (Robert Patrick) who crashes a truck into a canal wall that reads: CAUTION: 9’-11’’

  • Film: The Sixth Day (2000)

    Time: 00:04:40

    Scene: Adam Gibson (Arnold Schwarzenegger) checks his Double X Charter Schedule on his birthday. His appointments are at 9:00 and 11:00.

  • TV Show:The Simpsons

    Episode Title:‘The City of New York versus Homer Simpson’

    Season/Episode: 9/01

    Original Air Date: 21 September 1997

    Time: 00:06:28

    Scene: Homer Simpson receives a letter from the city of New York informing him that his car is illegally parked at the World Trade Centre. Having a negative impression of the place after a past experience there as a young man he is reluctant to retrieve it. However, the rest of the family are excited and holding up a flyer Lisa exclaims they can all travel there by bus. The flyer displays an eye-catching 9 above the city skyline and together with the Twin Towers prominent in the background remarkably resembles ‘911’.

  • Film: Problem Child 2 (1991)

    Time: 00:53:20

    Scene: Ben Healy (John Ritter) and Junior (Michael Oliver) move from River Creek to Mortville. Their letterbox is a miniature replica of the house they live in with ‘HEALY 911’ written on it.

  • Film: Seven (1995)

    Time: 01:24:14

    Scene: As Mills (Brad Pitt) and Somerset (Morgan Freeman) interrogate two men from the massage parlour the tape recorder rolls showing 0.09.11.

  • Film: The Big Lebowski (1998)

    Time: 00:02:59

    Scene: Jeff Bridges writes a cheque at Ralphs store. The date on the cheque is September 11, 1991. He looks up at the TV to see George HW Bush condemning Saddam Hussein’s invasion of Kuwait.

  • Film: The Pelican Brief (1993)

    Time: 00:41:22

    Scene: Tony Goldwyn views video surveillance of Robert Culp and James Sikking discussing the Pelican Brief in the Oval Office. The time counter on the TV reads 09:11:44:01.

  • Looking Closer
    • From one blockbuster movie to another Hollywood constantly casts its ’spells’, not unlike the ancient Druid magicians who used wands made from holly wood, projecting its version of the future on a growingly desensitized and unquestioning audience (Collins 13 December 2004). This form of social manipulation, known as ‘predictive programming’, is a celebrated tradition in Hollywood with its technical wizardry and special effects that shape our perceptions of reality by creating ‘the illusion of an infallibly accurate vision of how the world is going to look in the future’ (Collins 13 December 2004). From Independence Day (1996) and The Long Kiss Goodnight (1996) to The Peacemaker (1997) and The Siege (1998) Hollywood has been pivotal in this process of ‘conditioning the masses to accept future visions that the elite wish to tangibly enact’ (Collins 6 February 2005).
    • So if 9/11 synchronicities were overtly and covertly embedded into Hollywood films as part of some hidden agenda then what are they portending about future events post 9/11?

2012

todo

Symbolism in Movies

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