911:Predictive programming

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Intro

Predictive programming

“Predictive Programming - The power of suggestion using the media of fiction to create a desired outcome.” - Alan Watt
  • "The phenomenon of ‘predictive programming’ is heavily used on the screen. It presents and acclimatizes the public to new ideas and trends. Usually put forward in a fictional context (to circumvent issues of consent or morality), many of the events, technologies and social attitudes dipped into the collective consciousness are in fact already in the pipeline. Taking this one step further, I propose that the screen actually seeds the imagination to manifest a pre-determined reality. Far from being the trivial plaything we are told it is, the imagination is a highly developed, super powerful holographic processor . It illustrates, energizes and manifests the world around us, whether we acknowledge it or not. It is the portal through which the universal field condenses thought forms into matter. The imagination directly formulates our experience of reality, as strongly now as it did when we were five years old. For this reason, it is imperative that we choose carefully what we put into our minds. With mastery of our own imagination deactivated, the default setting is to mirror the incoming data stream. Output only what is input. With the modern adult mind discouraged from connecting with reality through actual felt experience, input is predictably derived from the mainstream media. The reality blueprint is transmitted, electronically and literally, from the screen. Trillions of screens." ... "Consciousness creates reality. We are not helpless objects inside it, we [help] make it. The solution is deceptively simple: free yourself and thereby regain sovereign control. Knowing this makes your mind hard to hijack and returns the power of creation back to the real masters of reality - us." [1]
  • "Hollywood is the magician's wand (holly-wood) which has been used to cast a spell on the unsuspecting public. Things or ideas which would otherwise be seen as bizarre, vulgar, undesirable or impossible are inserted into films in the realm of fantasy. When the viewer watches these films, his/her mind is left open to suggestion and the conditioning process begins. These same movies which are designed to program the average person, can give the discerning viewer a better understanding of the workings and the plan of the world agenda.[2]
  • "Predictive programming works by means of the propagation of the illusion of an infallibly accurate vision of how the world is going to look in the future". Through the circulation of science "fiction" literature, the masses are provided with semiotic intimations of coming events. Within such literary works are narrative paradigms that are politically and socially expedient to the power elite. Thus, when the future unfolds as planned, it assumes the paradigmatic character of the "fiction" that foretold it.
  • 911 Synchronicities [3]
  • Glorification of the "rule of law"
  • "Predictive Programming" and the Emergent World Religion

Apocalyptic scenarios

In recent years the most recurrent themes to emerge from Hollywood have been ominous in their apocalyptic visions of rampant disease epidemics and pandemics wiping out significant proportions of the world population; the growing and pervasive threat of nuclear, chemical and biological terrorist attacks within the United States and Britain; and global environmental cataclysms wreaking havoc on a fracturing populace.

  • To illustrate, in Outbreak (1995) a lethal virus deliberately developed by the US government for germ warfare purposes finds its way to a small seaside town in California. ‘Massive army backup brutally quarantines the whole town and arrests those infected with the virus’ while a Presidential Committee gives the order to bomb the town to eliminate the virus (Davies 2003, p. 2). A radical American scientist unleashes a deadly virus in 12 Monkeys (1995) wiping out five billion people and forcing the remaining survivors to live underground. Smallpox 2002: Silent Weapon (2002) explores the devastating effects of a smallpox attack on the US and UK that eventually kills 60 million people worldwide. In Tidal Wave: No Escape (1997) a demented terrorist launches nuclear missiles under the sea triggering a wave of tsunami that devastate the coast of Southern California. European terrorists plan on detonating nuclear weapons on American soil in The Peacemaker (1997) and The Sum of All Fears (2002). Radical Islamic Fundamentalists successfully release a ‘dirty bomb’ in Dirty War (2004) that spreads radiation throughout central London. Asteroids and comets threaten humanity in Armageddon (1998) and Deep Impact (1998) while in Volcano (1997), Dante’s Peak (1997) and Supervolcano (2005) dormant volcanoes threaten to destroy the urban landscape of America. Tornadoes and tidal waves devastate the American continent in The Day After Tomorrow (2003). And in Category 6: Day of Destruction (2004) a hurricane and tornado merge into a super-storm to wreak havoc over a drought-ridden Chicago causing the collapse of the national power grid. This leaves hundreds of millions without power and makes it impossible to warn anyone about the impending disaster. Whether these disturbing scenarios will pan out as depicted by Hollywood, and undoubtedly anticipated by a secretive few that orchestrate such twisted means to further their depraved end, will in time be seen. And you can be sure to see it first as mock entertainment in state-of-the-art picture and sound and then played out to a tee in unparalleled and mind-blowing real life.
  • List of Directors (who exposed the plans for the "New World Order")
    • Stanley Kubrick and the Kubrick Code
      • see Rob Ager film analysis on Kubrick's Clockwork Orange
        • The most familiar fictionalization of the anti-fluoridationists (see fluoride) is in Stanley Kubrick's film Dr. Strangelove: a crazed American general Jack D. Ripper is an anti-fluoridation freak and his basis for opposition is intimately tied to his manhood and his commie paranoia. From "Dr. Strangelove Or: How I Learned To Stop Worrying And Love The Bomb," a film review by Tim Dirks: Back in Ripper's office with gunfire sounding in the background, General Ripper puts a comforting arm around a worried Mandrake's shoulder, revealing his completely paranoidal, psycho-sexual, psychotic lunacy: Jack t. ripper with cigar "On no account will a Commie ever drink water, and not without good reason...Water is the source of all life. Seven tenths of this earth's surface is water. Why, you realize that seventy percent of you is water...And as human beings, you and I need fresh, pure water to replenish our precious bodily fluids... (Mandrake chuckles nervously) Mandrake, have you never wondered why I drink only distilled water, or rain water, and only pure grain alcohol?...Have you ever heard of a thing called fluoridation? Fluoridation of water?... fluoridation is the most monstrously conceived and dangerous communist plot we have ever had to face." [4].

Biblical Prophecies

A 2001 Movie “The Order:” Fortells Destruction of Temple Mount Mosques
  • A 2001 Movie “The Order:” Fortells Destruction of Temple Mount Mosques

Again, the Jesuit Order has set forth its plans for the rebuilding of the Third Hebrew Temple in Jerusalem. That epic event will follow the deliberate demolition of both Mosques on the Temple Mount, which destruction will be blamed on “the Great Satan”—America. And yes, that event will trigger World War III, uniting the entire Sunni/Wahhabi Muslim world against North America.

The 2001 release in which the Jesuits, ruling the American motion picture industry, declare their plan to the world is titled The Order featuring Roman Catholic martial artist and actor from Roman Catholic, Jesuit-ruled Brussels, Belgium, Jean-Claude Van Damme. Much if it is shot in Israel—Rome’s Revived Latin Kingdom of Jerusalem—with the blessing of the Jesuit Papacy’s Masonic Jewish Labor Zionists ruling the government thus overseeing the sets. “The Order” in the movie is very similar to the Knights Templars (Jesuit-Illuminized Freemasonry of today), they having always sought to rebuild Solomon’s Temple. As the climax draws near, there is a threefold conversation between Dalia (an Israeli policewoman), Rudy (Van Damme acting the part of a son in search of his kidnapped father) and an Israeli police officer, the boss of Dalia who is secretly a member of “The Order” seeking to blow up the Dome of the Rock. The conversation, transpiring in a secret dungeon underneath the Dome of the Rock is a follows:

two fingers and the thumb as does the Pope when he gives his occult votive hand signal
(Good) Dalia: It’s Ramadan. Islamic leaders from around the world will be on the temple mount at noon.
(Good) Rudy: What are you saying? He’s not going to blow it up?
(Good) Dalia: That will start World War III.
(Evil) Israeli Police Major: Especially when they find the bodies of an Israeli [Dalia] and an American [Rudy] beneath the rubble.

Cyrus, The Grand Master of The Order enters the dungeon and in the course of a conversation states:

(Evil) Cyrus: Avraham. If you had read the Book of Tribulations carefully, you are aware that the Holy War will be triggered by a single event. THE Event [as Cyrus points to a huge, portable bomb to be readied and detonated under the Dome of the Rock]. . . .
(Evil) Cyrus (as he points towards his opponent with two fingers and the thumb as does the Pope when he gives his occult votive hand signal (right) ): It is written: I will raise Mount Moriah and build upon it a new Temple.

In this movie, the Jesuits have declared their endgame to all: the destruction of both Temple Mount Mosques igniting World War III, and the subsequent building of a Third Hebrew Temple on Mount Moriah—the Temple Mount.

Amazingly, Van Damme is one of the two writers of the script, evidencing yet another Roman Catholic actor working for the Company of Jesus. Van Damme can join the ranks of brother Jesuit Temporal Coadjutors Robert Di Niro, Martin Sheen, Al Pacino, Denzel Washington, Kevin Costner, Sylvester Stallone, Tom Cruise, Bruce Willis, etc. [5]

UFO & Alien Invasion based scenarios

"Today, America would be outraged if U.N. troops entered Los Angeles to restore order [referring to the 1991 LA Riot]. Tomorrow they will be grateful! This is especially true if they were told that there were an outside threat from beyond [i.e., an "extraterrestrial" invasion], whether real or promulgated, that threatened our very existence. It is then that all peoples of the world will plead to deliver them from this evil. The one thing every man fears is the unknown. When presented with this scenario, individual rights will be willingly relinquished for the guarantee of their well-being granted to them by the World Government." - Dr. Henry Kissinger, Bilderberger Conference, Evians, France, 1991

A recent headline had it that Hollywood had no less than 16 alien invasion movies in the pipeline. But not all of the actual films in question follow the War of the Worlds template, and some of them are sequels or have only tangential connections to the meme [6]

Also see: New Age agenda:Alien presence

Military programming in movies

“You must glorify war in order to get the public to accept the fact that your going to send their sons and daughters to die.”

Martial Law

  • Conditioning
    • According to well-established contemporary cinematographic tradition (or perhaps 'doctrine' would be a better word), the military is seen to have totally assumed (read: usurped) the role of the police as a means of crowd control and law enforcement during times of crises; the Posse Comitatus Act has again been swept under the rug completely. Examples of modern movies featuring a police state theme are: The Day the Earth Stood Still (2008) and Transformers (2007).
    • In I Am Legend (2007): In addition to the military gone crowd control, civilians are subjected to mandatory eye scanning tests; the purpose of which is to help identify infected people. The general effect on the viewer is to make the public get used to not only being identified immediately and on immediate demand from military law enforcers but it is also to help the public get used to being herded like cattle at the discretion and say-so of your local military overlord. It thus follows naturally that this kind of scenery portrays yet one more martial law type of setting in which human rights have been wiped off of the map on the contingency event of a national/international disaster coming into actuality.[7]
    • In Cloverfield (2008): It is to be expected that the only governmental entity possibly capable of giving sanctuary to the victims of the calamity is the armed forces or so the movie suggests. This gives the viewer the impression to place trust, preferably unconditional, in the military during times of social upheaval and mayhem. Although the remaining characters of the movie get away in a military helicopter...Even the army does not seem to be able to guarantee safety during times of extreme calamity, although the movie suggests it is the only option that is extended to you in regards to survivability. Another function is to get the public used to a police state type of society and to place trust in the military above all else although even they cannot warrant public safety under some circumstances.

Surveillance Society

Censorship in movies

Dan Goldberg, the producer and co-writer of Stripes, assured the Pentagon that he planned to make a comedy with “patriotic overtones that would hopefully have a positive effect on Army recruiting”. But the Army ordered Stripes to be rewritten from beginning to end. Lieutenant Colonel Richard Griffitts, chief of the army’s Policy and Plans Division, did not agree with the depiction of drug use in the barracks and Drill Sergeant Hulka (Warren Oates), he claimed, was too sadistic. In fact, Hulka was a relatively mild practioner of the brutal methods used in army boot camps. On Pentagon orders, all references to the US Army deployments in Latin America or Mexico were scrapped; jokes about rape and pillage deleted; and various characters toned down or eliminated entirely. In exchange for access to a Fort Knox location and permission to use tanks and a C-140 transport plane, Goldberg capitulated to every Pentagon demand.[8]

Ideological & Behavioral influences

Indoctrinating children into the occult

Disney

  • The Disney family and the Disney corporations are part of the occult world. While the names Dopey, Happy, Bashful, Sleepy, Grumpy, Sneezy, and Doc sound like names picked to please children, they are actually the translation from Scandinavian of the demonic dwarfs Toki, Skavaerr, Varr, Dun, Orinn, Grerr, and Radsvid. Note that Disney placed a character with a green mask in a dark mirror, and had in his shows what was called the ‘Spirit of the Magic Mirror’ which was also called The Slave of the Magic Mirror. The Monarch slaves “most precious programs” are concealed in the ground and are guarded by the gnomes built internally by the programming. These gems have power that is channeled from Satan. Most of the readers thought Snow White and the 7 Dwarfs was simply a harmless piece of fiction. They most likely didn’t realize that it is demonology. [10]"Deeper Insights into the Illuminati Formula", by Fritz Springmeier Disney - Chapter 5 (see also: The Things I Wish They'd Told Me... As I Was Growing Up By David Rankin)
  • Another big influence to the occult has been good old Mickey Mouse! Years ago Mickey mouse put on a sorcerers hat and started doing spells. Fantasia was created with the occult wizard Mickey as the star. Mickey has been very popular and Disney has been a great conditioner of children toward the world of the occult. Many of their cartoons and movies are filled with witches and things from the dark world of the occult. Today Disney has degenerated to include homosexual weeks at their theme park. Imagine a family going to Disneyland and seeing a bunch of homosexual enjoying their immorality with one another in public view.(Also see Homosexual agenda)

Harry Potter

Indoctrinating children into sex and homosexuality

Also see: Awareness control: Sex

Teletubbies

Disney

Todo: Lion King

Encourage the public to indulge in mediocrity


Other

  • "Black is white and white is black"
    • One of the maxims of the spiritual exercises is that if my superior says 'black is white and white is black', then that's the way it is. That is in his spiritual exercises. That is what is quoted in JFK, when Kevin Costner is telling his people: 'Hey, people, we've got to start thinking like the CIA. Black is white and white is black.' That was a Jesuit giveaway that the Jesuits produced that movie, because they're quoting Ignatius Loyola in that movie from his spiritual exercises. Eric Jon Phelps [13]